House Of African Feminisms

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	<title>House Of African Feminisms</title>
	<link>https://houseofafricanfeminisms.org</link>
	<description>House Of African Feminisms</description>
	<pubDate>Wed, 26 Nov 2025 20:28:11 +0000</pubDate>
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		<title>Intro</title>
				
		<link>https://houseofafricanfeminisms.org/Intro-1</link>

		<pubDate>Wed, 19 Feb 2025 13:54:11 +0000</pubDate>

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		<description>

	
	ABOUT
READ
WATCH
LISTENPROJECTS
CONNECT


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		<title>Footer copy</title>
				
		<link>https://houseofafricanfeminisms.org/Footer-copy</link>

		<pubDate>Wed, 26 Nov 2025 20:28:11 +0000</pubDate>

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DisclaimerData Privacy


House of African Feminisms (HoAF) is funded by The Goethe-Institut in Sub-Saharan AfricaCopyright&#38;nbsp; © 2026 House of African Feminisms. All Rights Reserved
	

︎ ︎ ︎


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		<title>About-Heading</title>
				
		<link>https://houseofafricanfeminisms.org/About-Heading</link>

		<pubDate>Wed, 11 May 2022 13:59:13 +0000</pubDate>

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		<description>
	ABOUT


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	<item>
		<title>About HoAF</title>
				
		<link>https://houseofafricanfeminisms.org/About-HoAF</link>

		<pubDate>Wed, 11 May 2022 14:09:50 +0000</pubDate>

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House of African Feminisms 


The House of African Feminisms (HoAF) is a collaborative initiative by the Goethe-Institutes in Johannesburg, Kigali, and Lagos. It serves as a platform for feminist thought, cultural exchange, and community building across the African continent and its diaspora. 
HoAF shines a light on the work of African feminist scholars, artists, and thinkers, offering resources that explore the richness and diversity of African feminist perspectives. Rooted in inclusivity, dialogue, and cultural connection, the platform supports engagement, learning, and solidarity across movements and generations. 
African feminisms remain underrepresented globally, despite their significant contributions to social, political, cultural, and environmental change. HoAF responds to this gap by providing a space where feminist voices—whether activist, academic, or lived—can connect, collaborate, and grow.The platform is for everyone: from long-time feminist advocates to anyone curious about the daily, lived realities of women*, including queer and trans* people, whether or not they identify as “feminist.”
 HoAF also leads on-the-ground projects including festivals, exhibitions, and the African Feminisms Project, which supports civil society organisations with practical tools, knowledge-sharing, and a physical presence across the continent.Together, these efforts create a dynamic “house” for learning, expression, and collective transformation.
 Explore a wide range of podcasts, articles, music, art, and digital events, alongside links to other feminist resources and publications. Topics span women’s rights, feminist traditions, health and reproductive justice, body politics, and more*.


What it Is&#38;nbsp; 

An African feminist platform for cultural exchange and learning. A reserve for African feminist theories and an educational and social resources of feminist subject matter.&#38;nbsp; 

What we provide 

Content on various topics including women's* rights, feminist traditions, corporeality, health and reproductive politics in different formats such as podcasts, articles, art pieces and music.&#38;nbsp; 

What we believe 

That all feminists should have a voice and that feminism is not only a conscious intellectual and activist movement, but a daily lived experience for women* even those who don’t refer to themselves as “feminist”. That we need to tell the story of the everyday life of African women* of all generations. 

Who is it for?&#38;nbsp; 

Feminist scholars, thinkers, the everyday African woman* and you. &#38;nbsp; 


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	<item>
		<title>Connect-Header</title>
				
		<link>https://houseofafricanfeminisms.org/Connect-Header</link>

		<pubDate>Wed, 11 May 2022 13:59:44 +0000</pubDate>

		<dc:creator>House Of African Feminisms</dc:creator>

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		<description>
	CONNECT


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	<item>
		<title>Connect info</title>
				
		<link>https://houseofafricanfeminisms.org/Connect-info</link>

		<pubDate>Wed, 11 May 2022 14:13:35 +0000</pubDate>

		<dc:creator>House Of African Feminisms</dc:creator>

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		<description>


Contact Persons:


Project Coordinator:


Chilufya Nchito&#38;nbsp;
Chilufya.Nchito.extern@goethe.de


Info:


hoaf@goethe.de


Opportunities:


	Tender – Freelance Position
	Project Coordinator for the project “African Feminisms – Rights, Representation and Resources” - Closed


Social Media:


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		<title>Read-Heading</title>
				
		<link>https://houseofafricanfeminisms.org/Read-Heading</link>

		<pubDate>Wed, 11 May 2022 12:52:45 +0000</pubDate>

		<dc:creator>House Of African Feminisms</dc:creator>

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		<description>
	READ


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		<title>Read-Index</title>
				
		<link>https://houseofafricanfeminisms.org/Read-Index</link>

		<pubDate>Wed, 11 May 2022 13:42:10 +0000</pubDate>

		<dc:creator>House Of African Feminisms</dc:creator>

		<guid isPermaLink="true">https://houseofafricanfeminisms.org/Read-Index</guid>

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&#60;img width="3809" height="3809" width_o="3809" height_o="3809" data-src="https://freight.cargo.site/t/original/i/4b300011394a51dbfbea19b786956cba495efd82048533a7641776702ce71e9f/Fayo-SQ.jpg" data-mid="241649157" border="0"  src="https://freight.cargo.site/w/1000/i/4b300011394a51dbfbea19b786956cba495efd82048533a7641776702ce71e9f/Fayo-SQ.jpg" /&#62;REVIVING THE SACRED
Fayo Said


This project revisits wayyuu and other Indigenous cultural frameworks across African societies to explore their power to both reinforce and challenge gender inequality.
 

&#60;img width="813" height="813" width_o="813" height_o="813" data-src="https://freight.cargo.site/t/original/i/5bf7c93d363a07f3db8a8fab16c762de47ae70c0d9f17eee8a1f8d3f3c476090/house-of-african-feminism.jpeg.jpg" data-mid="204966899" border="0" data-no-zoom src="https://freight.cargo.site/w/813/i/5bf7c93d363a07f3db8a8fab16c762de47ae70c0d9f17eee8a1f8d3f3c476090/house-of-african-feminism.jpeg.jpg" /&#62;ANTI-FEMINISM 
Ghanaian writer Nana Darkoa Sekyiamah explores with Dr. Serawit Bekele Debele from Ethiopia feminist movements on the African continent before and after the spread of feminism as a concept.


&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/2352c28614f1a2551524a0721a7e0c82025a8de45af61e57ebdb00ac6491f957/627edfb47980b677ac856002_Bio-Picture---Sarafadeen-Bello-p-500---Copy.png" data-mid="201214538" border="0" data-no-zoom src="https://freight.cargo.site/w/500/i/2352c28614f1a2551524a0721a7e0c82025a8de45af61e57ebdb00ac6491f957/627edfb47980b677ac856002_Bio-Picture---Sarafadeen-Bello-p-500---Copy.png" /&#62;ARCHIVES OF (IM)MOBILITYSarafadeen Bello


In this write up Sarafadeen explores Gender, Access and Wage labour through the prism of the Colonial Nigerian Railway system in South-Western Nigeria.


&#60;img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/8b712cd026081e392fb8e0fd40990438d818e67862ed702a4ceb205725d3c77f/Cover.png" data-mid="198414178" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/8b712cd026081e392fb8e0fd40990438d818e67862ed702a4ceb205725d3c77f/Cover.png" /&#62;NKISU: THE FEMINIST ACADEMY

A comic series about the life of a teenage girl named Nkisu. She is navigating feminism in her day-to-day life at her new boarding school the African Feminist Academy.


&#60;img width="799" height="799" width_o="799" height_o="799" data-src="https://freight.cargo.site/t/original/i/e929a678f59b866987e7577a3b720cab55e6f3d5796169bf0821a80f4761e634/Gloire-Wanief.png" data-mid="185926570" border="0" data-no-zoom src="https://freight.cargo.site/w/799/i/e929a678f59b866987e7577a3b720cab55e6f3d5796169bf0821a80f4761e634/Gloire-Wanief.png" /&#62;INTRODUCTION TO POSITIVE MASCULINITYGloire Wanief

 In this piece Gloire offers a literary journey into the idea of Positive Masculinity.


&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fdf8a315066f7712fedeb3e08b5b603f7f4c6b3987642ea6eb20fcbe56411387/Cover.png" data-mid="172343928" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/fdf8a315066f7712fedeb3e08b5b603f7f4c6b3987642ea6eb20fcbe56411387/Cover.png" /&#62;COMPHETTIBilly Hani


In this visual essay Precious Narotso tells the story of 5 queer 
Kenyans coming to terms with their identity in a traditional and 
conservative society.&#38;nbsp; She explores the concept of compulsory 
heterosexuality and weaves a story of
 queer identity in an African context.


&#60;img width="1772" height="1772" width_o="1772" height_o="1772" data-src="https://freight.cargo.site/t/original/i/bcc7b9a43f169eba439214b93188c455500e4e2a768c5e506e49fdd5fcacb1e6/03.jpg" data-mid="152127871" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/bcc7b9a43f169eba439214b93188c455500e4e2a768c5e506e49fdd5fcacb1e6/03.jpg" /&#62;ENGAGING THE UNEXPECTEDSylvia K. Ilahuka


Through a series of photographic essays of 5 women, this project explores women engaged in endeavours unexpected of them by focusing on their primary occupations, not side gigs.


&#60;img width="697" height="697" width_o="697" height_o="697" data-src="https://freight.cargo.site/t/original/i/8c39bb81b0e5848e90cf708a2e0f10e10d53fdbc7d11572093ca70245ca34e1e/Screenshot-612.png" data-mid="152127876" border="0" data-no-zoom src="https://freight.cargo.site/w/697/i/8c39bb81b0e5848e90cf708a2e0f10e10d53fdbc7d11572093ca70245ca34e1e/Screenshot-612.png" /&#62;

MISSING INGREDIENTSElizabeth Johnson

 A mixed media reportage that reflects on feminism through identity, resilience and continuity from generations of women farmers and chop bar operators.


&#60;img width="1333" height="1333" width_o="1333" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ad0a0433c7a43fc348fecf7e615f225c8917276c358269450a15bb7143273553/Minna-Salami.jpg" data-mid="152127874" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/ad0a0433c7a43fc348fecf7e615f225c8917276c358269450a15bb7143273553/Minna-Salami.jpg" /&#62;

A HISTORICAL OVERVIEW OF AFRICAN FEMINIST STRANDS
Minna Salami

Beginning in the pre-feminist modern period of the 1500s all the way to the contemporary feministing period of the 1900s until the present, Salami’s intricate essay explains and charts the long, and often overlooked, history of feminisms on the African continent.


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THE POWER OF FEMINIST REMEMBRANCENana Darkoa Sekyiamah

Nana Darkoa emphasises the power and importance of remembering in feminist work, to counter the effects of erasure.Via archiving the everyday lives of African women who sustain and nurture communities, 
Darkoa believes the often overlooked and barely celebrated women can finally get recognised.


&#60;img width="2124" height="2124" width_o="2124" height_o="2124" data-src="https://freight.cargo.site/t/original/i/f13b375eca17c33bc3de3189d51f3e9470de1876b0ad55fdf094bf960c17d971/Edwige-Dro-photo.jpg" data-mid="152127873" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/f13b375eca17c33bc3de3189d51f3e9470de1876b0ad55fdf094bf960c17d971/Edwige-Dro-photo.jpg" /&#62;

OUR NANA BENZ
Edwige-Renée Dro


The Nana Benz were a group of businesswomen in Togo, who dominated the textile industry and were among the first to import Mercedes Benz vehicles, 
hence the name Benz in their name. Edwige-Renée Dro expands provides an overview of the Nana Benz and their impact on the feminist movement.


&#60;img width="3456" height="3456" width_o="3456" height_o="3456" data-src="https://freight.cargo.site/t/original/i/4bf4a85c67b6a7b63318c1d42b6c4af0cfbc79f68475bc4267ff579cf47cecb2/Collections-of-Hausa-Novels-at-Kaduna-State-University.JPG" data-mid="152127872" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/4bf4a85c67b6a7b63318c1d42b6c4af0cfbc79f68475bc4267ff579cf47cecb2/Collections-of-Hausa-Novels-at-Kaduna-State-University.JPG" /&#62;


ARCHIVING
HAUSA FEMINIST WRITINGS


Sada MalumfashiThis photo essay explores the vibrant existence of an unbridled literary
 tradition among women writers writing in Hausa language in northern 
Nigeria. Utilising the personal collections of academics and researchers
 in the field, the essay aims to determine
 how extensive this literature by Hausa women is.


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		<title>Watch-Heading</title>
				
		<link>https://houseofafricanfeminisms.org/Watch-Heading</link>

		<pubDate>Wed, 11 May 2022 13:53:59 +0000</pubDate>

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	WATCH


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		<title>Watch Index</title>
				
		<link>https://houseofafricanfeminisms.org/Watch-Index</link>

		<pubDate>Wed, 09 Aug 2023 08:58:58 +0000</pubDate>

		<dc:creator>House Of African Feminisms</dc:creator>

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Sacred

Fayo Said


This project explores the concept of wayyuu, a moral and spiritual framework central to Oromo culture, and examines its potential to inform feminist practice and women*s rights advocacy in Africa. Wayyuu, often described as a sacred, revered state, governs how individuals and communities relate to one another with respect and balance. It embodies a code of conduct that elevates respect for women*, nature, and societal harmony. In Oromo culture, wayyuu is often associated with women*, who are considered the bearers of this sacred role. However, in practice, this reverence for women* can be paradoxically tied to their submission to patriarchal structures, where they are both elevated and confined.&#38;nbsp; 


ITONGO


Diane Kaneza


Without land rights, women remain economically dependent on men, reinforcing gender inequalities.&#38;nbsp; Since 2015, in the province of Muyinga in northern Burundi, new practices have been introduced in land certification. Men register their wives on land titles. This gives the women of this province financial autonomy, because they can now apply for a loan from a bank and open a business to ensure their financial independence. This practice is rarely popularised, whether among educated or rural women. ITONGO aims to highlight this approach, which shows that there are possible and promising ways of guaranteeing that women own the land they cultivate. The project takes the form of a 13-minute documentary focusing on two women from the Buhinyuza commune (Muyinga province) who, thanks to land certification, are now models of success in their communities.


Ama’s Salon


Asia Clarke 


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Set in Ghana in the year 2056, the story follows Ama, a gifted hairstylist who secretly provides mental-health therapy using a makeshift MRI machine hidden within her salon. Each hairstyle she creates is intentionally designed to support her clients’ emotional and psychological well-being. As Ama braids intricate patterns woven with electrical feedback wires into her clients’ hair, she enables them to access and adjust their own brain activity, discreetly storing their neuro-data in a covert archive.

 
This Character is a Woman

Irene A’mosi


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This Character is a Woman is an artistic project exploring the lives and struggles of zungueiras—Angolan women working in the informal street market—who face state violence, police brutality, and economic vulnerability. The project denounces the romanticised image of these women as symbols of resilience, revealing the harsh realities they endure daily.


WABA - A micro documentary on water scarcityAFRIE


WABA follows the story of&#38;nbsp; Selina Nkoile, a protector, a shepherd, a Moses of her people. Born and raised in Mosiro county in
Narok
 - Kenya, Selina was one of the first Maasai girls
 from her community to complete school. Since then, she has made it her 
aim to teach and empower her nomadic pastoralist community to grow food 
and adapt farming now that their beloved tradition isn’t sustainable 
anymore.


Mama LikofiRachel Nyangombe


The House of African Feminisms presents Mama Likofi a short video by Rachel Nyangombe. Mama Likofi &#38;nbsp;(Mama fist) is the result of conversations in confidence. With music by Village Papa Nyangombe, images by Rachel Nyangombe and performance by Mima Rita Mvundu. They offer a music video of admitted, coerced and projected violence.


The Drag AcademyTheChannelKE


This documentary seeks to highlight the lives of drag kings in Nairobi, Kenya as they go throug what has been dubbed as the DRAG ACADEMY. It seeks to question and engage quee feminism on the African continent through the performative art that is DRAG and what it mean to perform drag on the African continent


BIRDS OF A FEATHERTsepiso Mahase


Birds of a Feather is a short documentary film that highlights a queer Mosotho instrumentalist and artist, ‘Matlali. “Lesiba” is a traditional musical instrument traditionally played by men in Lesotho, stemming from herdsmen entertaining themselves and their livestock while out in the fields with not much to do. “Lesiba” directly translates to “feather” from Sesotho. The tradition throughout the years has been upheld in its gendered norm, being played by men in machismo but recently there has been more mingling of gendered instruments.Matlali being a queer woman living in Lesotho has embraced this musical instrument for the past year, taking time to learn its history, how it is made and ultimately, how it is played. Being a multi-faceted artist trying to break the gender-norms of this instrument, we follow her performing this instrument as well as a string instrument she made. She reflects on navigating the patriarchal society of Lesotho, and being othered in a country that upholds many of its long-standing traditions. &#38;nbsp;


BUILDING A TRANS FEMINIST ARCHIVE IN MOZAMBIQUECaio Simões de Araújo and Aghi
A visual essay focusing on the lives of 6 activists in an emerging transgender movement in Mozambique called Transformar. The movement is an NGO that focuses on trans-peoples lived experiences, struggles, perspectives and aims to bridge the gap between the mainstream feminist, LGBT movements and the spaces where Transgender lives are side-lined. The project is a reclamation of retelling trans-feminist histories and an attempt at creating an archive of a marginalised past and lending ongoing support to the present struggles.Stemming from the notion of widening our perspective of African womanhood, undoing gender binaries and re-imagining sexuality the participants on this project are tasked to think about femininity, gender, sexuality and intimacy. They do this as they live their femininity and womanhood; as they imagine new forms of feminist and queer politics and as they think about the past and imagine new possibilities for the future.


LABOUR OF OUR HANDSNeema Ngelime

“Labour of Our Hands” is a poetic reflection of women’s labour. The film contains photographic stills and audio of the women’s working environment wherever or whatever it is. The term ''work'' in the film can be paid or unpaid labour example emotional labour or domestic etc.The different women-based in Dar es salaam will share their individual accounts of days of their lives through the work of their hands. The film progress as different women pass the torch to each other. The women weave a ''song'' about their long tiring days, unrequited verse requited love for their jobs, formal or non-formal.


AFRICAN WOMEN IN CONSERVATIONAyesha Mukadam


This documentary follows the story of Megan Rose Francis a marine conservationist along the coastlines of South Africa. From childhood she was always fascinated with the sea and sea life and she cultivated this passion and curiosity into her work today. Her work focuses on working with local communities to get them involved in cleaning the environment and research as well as sharing knowledge about the sea and encouraging green thinking.


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